Various Artists
Instruments of the Orchestra Lyrics
Disc 1
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 /From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor
- Varieties Of Pizzicato: Colas Breugnon /Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite /The Use Of Pizzicato As 'Percussion'/Romeo And Juliet /Mahler Used Pizzicato...
- The Planets
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin /Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan'
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Disc 2
- Introduction To The Viola
- Viola Concerto
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica'
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 /Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9
- Introduction To The Double-Bass
- The Carnival Of The Animals
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' /In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite /In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet /And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 /So Much For The Strings/On Now To The Winds
Disc 3
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World'
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher'
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian /...To The Raucous And Squealy.../Taras Bulba /...To The Shrill And Complaining...
- Petrushka /...To The High Sprits Of A Playful Puppy./Symphonie Fantastique /And To The Downright Jazzy/Romeo And Juliet
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No.1
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka /...But It Does Occasionally Get A Whole Tune To Itself./Iberia .
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden
- ...And Quite Low.
- Peter And The Wolf
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major
- Introduction To The Saxophone
- Hary Janos Suite
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' , BWV 202
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407
Disc 4
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale /The Trumpet As Swaggerer
- Carmen Suite No.2
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2
- The Trumpet Muted/Petrushka /Lieutenant Kije Suite /The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition
- The Trumpet As The Voice Of God
- Mass In B Minor
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem /But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella
- The Trombone As Raspberry/Concerto For Orchestra
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music
- The Horn As Magician/The Firebird Suite
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser'
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3
- The Tuba - Unfairly Maligned?
- Symphony No.6
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition
Disc 5
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major /And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore
- Desert-Island Decibels: Grand Canyon Suite /Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection'
- Not One Drum Roll, But Many/Grand Canyon Suite /Symphonie Fantastique
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite /Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite
- Saint-Saens And The Xylophone
- The Carnival Of The Animals
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose
- Introducing The Marimba/Carmen Suite
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre
- The Vibraphone Goes Russian.../Carmen Suite /...And Is Joined By The Marimba./Carmen Suite
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite
- Introducing The Tubular Bells
- Hary Janos Suite
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica'
- Introducing The Celeste
- The Nutcracker
- Magic, In The Use Of Collective Percussion
- Miroirs
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker /The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' /And A Quarter Of A Century After That:
- Petrushka
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste
Disc 6
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ'
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica'
- Don Quixote
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre
- The Balalaika For Russia/Romeo And Juliet
- The Maracas For Mexico/The Treasure Of The Sierra Madre
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France /Paris Canaille
- The Zither For Vienna/The Third Man
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica'
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals
- The Oboe As Duck
- Peter And The Wolf
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral'
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral'
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals
Disc 7
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 /Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic'
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic'
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins
- A Speculative Look Ahead/Mass In B Minor