London Symphony Orchestra Lyrics Follow
The London Symphony Orchestra (LSO), founded in 1904, is the oldest of London's symphony orchestras. It was set up by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset, the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades.
The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic in the 1930s and the Philharmonia and Royal Philharmonic after the Second World War. The profit-sharing principle was abandoned in the post-war era as a condition of receiving public subsidy for the first time. In the 1950s the orchestra debated whether to concentrate on film work at the expense of symphony concerts; many senior players left when the majority of players rejected the idea. By the 1960s the LSO had recovered its leading position, which it has retained subsequently. In 1966, to perform alongside it in choral works, the orchestra established the LSO Chorus, originally a mix of professional and amateur singers, later a wholly amateur ensemble.
As a self-governing body, the orchestra selects the conductors with whom it works. At some stages in its history, it has dispensed with a principal conductor and worked only with guests. Among conductors with whom it is most associated are, in its early days, Hans Richter, Sir Edward Elgar, and Sir Thomas Beecham, and in more recent decades Pierre Monteux, André Previn, Claudio Abbado, Sir Colin Davis, and Valery Gergiev.
Since 1982, the LSO has been based in the Barbican Centre in the City of London. Among its programmes there have been large-scale festivals celebrating composers as diverse as Berlioz, Mahler and Bernstein. The LSO claims to be the world's most recorded orchestra; it has made gramophone recordings since 1912 and has played on more than 200 soundtrack recordings for the cinema, of which the best known include the Star Wars series.
Source: Wikipedia
Albums
Suite from Things to Come EP
Violin Concerto
Symphony no. 4
The Piano Dreamer
Symphonies nos. 1-4
BBC Legends: Jochum
Kullervo
Winterscapes
Symphonies 1 & 2
Four Seasons
Symphony no. 5
Horn Concertos
Carmen Highlights
What Child Is This?
Romeo and Juliet
Glory of Christmas
Merry Christmas
Great Classics
The Four Seasons
THE ALFEE CLASSICS
Ouvertüren
An Evening In Vienna
Misty
The Planets
Carmen
Piano Concerto no. 2
Finlandia
Pieces
Rigoletto
Russian Spectacular
Daphnis et Chloé
Le Choix des armes
Sinfonia Antarctica
Swan Lake (excerpts)
Symphony Fantastique
Classic Rock
Star Wars Single
Giovanna d'Arco
Piano Concertos
Tommy
A Sea Symphony
Popular Songs
- Carmina Burana: III. Cour d'Amour: Tempus est iocundum
- Carmina Burana: III. Cour d'Amour: Circa mea pectora
- Carmina Burana: III. Cour d'Amour: Dulcissime
- Carmina Burana: III. Cour d'Amour: Si puer cum puellula
- Carmina Burana: III. Cour d'Amour: Veni, veni, venias
- Carmina Burana: III. Cour d'Amour: In trutina
- Carmina Burana: II. In Taberna: Olim lacus colueram
- Carmina Burana: III. Cour d'Amour: Stetit puella
- Carmina Burana: II. In Taberna: Ego sum abbas
- Carmina Burana: II. In Taberna: In taberna quando sumus
- Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
- Carmina Burana: III. Cour d'Amour: Amor volat undique
- Carmina Burana: II. In Taberna: Estuans interius
- Carmina Burana: III. Cour d'Amour: Dies, nox et omnia
- Carmina Burana: I. Primo Vere: Omnia sol temperat
- Carmina Burana: I. Primo Vere: Ecce gratum
- Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
- Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera
- Carmina Burana: I. Primo Vere: Veris leta facies
- Konzert für Klavier und Orchester no. 12 A-dur KV 414: II. Andante
- Konzert für Klavier und Orchester no. 12 A-dur KV 414: III. Rondeau, Allegretto
- Konzert für Klavier und Orchester no. 20 D-moll KV 466: II. Romance
- Konzert für Klavier und Orchester no. 20 D-moll KV 466: III. Rondo
- Konzert für Klavier und Orchester no. 12 A-dur KV 414: I. Allegro
- Konzert für Klavier und Orchester no. 20 D-moll KV 466: I. Allegro
- The Noon Witch, op. 108, B. 196
- Othello Overture, op. 93, B. 174
- The Golden Spinning Wheel, op. 109, B. 197
- Overture "In Nature's Realm", op. 91, B. 168
- Overture "My Home", op. 62, B. 125a