Alessandro Scarlatti
Disperato Amore: Cantatas and Instrumental Music (counter-tenor: Matthew White and Les Voix Baroques) Lyrics
Disc 1
- Cantate Ombre tacite e sole for alto, 2 violins, viola and continuo (manus., Naples, 716) I. Recitativo
- Cantate Ombre tacite e sole for alto, 2 violins, viola and continuo (manus., Naples, 716) II. Aria
- Cantate Ombre tacite e sole for alto, 2 violins, viola and continuo (manus., Naples, 716) III. Recitativo
- Cantate Ombre tacite e sole for alto, 2 violins, viola and continuo (manus., Naples, 716) IV. Aria
- Cantate Bella quanto crudel spietata Irene for alto and continuo (manus., Naples, 1717) I. Recitativo
- Cantate Bella quanto crudel spietata Irene for alto and continuo (manus., Naples, 1717) II. Aria
- Cantate Bella quanto crudel spietata Irene for alto and continuo (manus., Naples, 1717) III. Recitativo
- Cantate Bella quanto crudel spietata Irene for alto and continuo (manus., Naples, 1717) IV. Aria
- Sonata nona for recorder, 2 violins and continuo, in A minor (manus., Naples, 1725) I. Allegro
- Sonata nona for recorder, 2 violins and continuo, in A minor (manus., Naples, 1725) II. Largo
- Sonata nona for recorder, 2 violins and continuo, in A minor (manus., Naples, 1725) III. Fuga
- Sonata nona for recorder, 2 violins and continuo, in A minor (manus., Naples, 1725) IV. Piano
- Sonata nona for recorder, 2 violins and continuo, in A minor (manus., Naples, 1725) V. Allegro
- Cantata Pastorale (Non so qual più m'ingombra) for alto, 2 violins and continuo (manus., Naples, 1716) I. Recitativo
- Cantata Pastorale (Non so qual più m'ingombra) for alto, 2 violins and continuo (manus., Naples, 1716) II. Aria
- Cantata Pastorale (Non so qual più m'ingombra) for alto, 2 violins and continuo (manus., Naples, 1716) III. Recitativo
- Cantata Pastorale (Non so qual più m'ingombra) for alto, 2 violins and continuo (manus., Naples, 1716) IV. Aria pastorale
- Motet Infirmata, vulnerata for alto, 2 violins and continuo (manus., Naples, 1702) I. Aria
- Motet Infirmata, vulnerata for alto, 2 violins and continuo (manus., Naples, 1702) II. Recitativo
- Motet Infirmata, vulnerata for alto, 2 violins and continuo (manus., Naples, 1702) III. Aria
- Motet Infirmata, vulnerata for alto, 2 violins and continuo (manus., Naples, 1702) IV. Aria
- Motet Infirmata, vulnerata for alto, 2 violins and continuo (manus., Naples, 1702) V. Recitativo
- Motet Infirmata, vulnerata for alto, 2 violins and continuo (manus., Naples, 1702) VI. Aria
- Sonata vigesima quarta for [oboe], 2 violins and continuo in G minor (manus., Naples, 1725) I. Allegro
- Sonata vigesima quarta for [oboe], 2 violins and continuo in G minor (manus., Naples, 1725) II. Fuga
- Sonata vigesima quarta for [oboe], 2 violins and continuo in G minor (manus., Naples, 1725) III. Largo
- Sonata vigesima quarta for [oboe], 2 violins and continuo in G minor (manus., Naples, 1725) IV. Allegro